Volume : 11, Issue : 9, SEP 2025
THE ACOUSTIC REPRESENTATION OF NATURE: AMBIENT MUSIC AND NEW AGE
ÖZLEM ONUK NATONSKI
Abstract
This study aims to contribute to the field of ecomusicology, an interdisciplinary domain that explores the complex relationships between sound, the environment, and cultural production. It specifically investigates the aesthetic, ethical, and psychoacoustic functions of nature sounds within the musical narratives of ambient and New Age genres. Bioacoustic markers such as birdsong, flowing water, and wind are examined not merely as representations of natural environments but as auditory agents that foster sensory awareness and ecological empathy.
This review-based qualitative analysis explores existing scholarship and documented practices regarding field recordings, sound production technologies, and listener engagement, aiming to evaluate music’s potential to enhance ecological awareness. Furthermore, it explores contemporary consumption patterns of nature-themed music on digital platforms, particularly in relation to listener trends and algorithmic recommendations. In doing so, the research highlights how such musical practices can serve not only as a reconnection with nature but also as a vehicle for cultivating sustainable environmental consciousness.
Keywords
ACOUSTIC ECOLOGY, ECOMUSICOLOGY, AMBIENT MUSIC, BIOACOUSTICS.
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IESRJ
International Educational Scientific Research Journal
E-ISSN: 2455-295X
International Indexed Journal | Multi-Disciplinary Refereed Research Journal
ISSN: 2455-295X
Peer-Reviewed Journal - Equivalent to UGC Approved Journal
Peer-Reviewed Journal
Article No : 2
Number of Downloads : 15
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